“I'm excited to announce that I'm joining forces with Markbass Amps, we're looking forward to doing some very cool things together this year. Keep an eye on us!”
As a multi-instrumentalist, Marcus is highly proficient as a keyboardist, clarinetist/bass clarinetist and, primarily, as a world-renowned electric bassist, topping critics' and readers' polls for three decades. His résumé as an A-list player brims with over 500 recording credits as a sideman on albums across the spectrum of musical styles: rock (Donald Fagen and Eric Clapton), Jazz (George Benson, Dizzy Gillespie, Joe Sample, Wayne Shorter and Grover Washington, Jr.), pop (Roberta Flack, Paul Simon and Mariah Carey), R&B (Aretha Franklin and Chaka Khan), hip hop (Jay-Z and Snoop Dogg), blues (Z.Z. Hill), new wave (Billy Idol), smooth jazz (Al Jarreau and Dave Koz) and opera (collaborations with tenor Kenn Hicks and soprano Kathleen Battle).
As a film music pro, Miller rose from writing the go-go party classic "Da Butt" for Spike Lee's "School Daze" to becoming the go-to composer for 20+ films (from the documentary “1 Love” to the animated children’s fable “The Trumpet and The Swan” to the Eddie Murphy/Halle Berry classic “Boomerang”).
As a producer, writer and player, he was the last primary collaborator of jazz legend Miles Davis, contributing the composition and album "Tutu" to the canon of contemporary jazz music. The breadth of his collaborative talents were best showcased in his work with the late, great soul man Luther Vandross, contributing to well over half of his albums as a producer, composer and/or player on a string of hits capped by "Power of Love/Love Power" for which Marcus won his first Grammy, 1991’s R&B Song of the Year.
And starting with David Sanborn's 1980 album Hideaway and its follow-up Voyeur (for which the alto sax giant won a Grammy performing Marcus' composition "All I Need is You"), Marcus not only left an indelible mark on Sanborn’s distinctive sound, he laid the often-copied blueprint for the coolest of contemporary jazz sounds.
After two R&B-leaning solo albums for Warner Bros. in the `80s followed by co-leading The Jamaica Boys (with drummer Lenny White and singer Mark Stevens), Marcus took a hiatus then returned rejuvenated with the galvanizing The Sun Don't Lie (1993) and Tales (1995), both of which found him brilliantly connecting the dots of Black music's evolution. Following the fan-demanded Live and More in 1997, Miller released M2 ("M-Squared") on his own 3 Deuces Records label and won his second Grammy, 2001’s Best Contemporary Jazz Album. A second double live CD, The Ozell Tapes: The Official Bootleg (2003) came next, followed by Silver Rain (2005) and Marcus (2008) (released as Free in Europe and Asia) featuring his Grammy-nominated crowd-rouser of Middle Eastern Funk, “Blast.”
2007 found Marcus in a new realm, as host of the North Sea Jazz Cruise, followed by the Playboy Jazz Cruise in 2009 and subsequent Smooth Jazz Cruises annually. In 2008, he co-led the all-star bass trio S.M.V. with Stanley Clarke and Victor Wooten for an album (entitled Thunder) followed by an extensive world tour. A concert Marcus arranged and produced with his own band and The Monte-Carlo Philharmonic Orchestra featuring trumpeter Roy Hargrove and vocalist Raul Midon was recorded the same year and subsequently released as A Night in Monte-Carlo. In the fall of 2009, Marcus put together a new band of young musicians for “Tutu Revisited” - a project that started as a special one night only event to coincide with the acclaimed We Want Miles exhibit at Cité de la Musique in Paris - then became a two-year global sensation beautifully captured for posterity on the CD/DVD Tutu Revisited featuring Christian Scott. In 2011 Marcus went on from Tutu Revisited to co-lead another trio DMS, a funk-jazz collaboration with George Duke and David Sanborn. In the summer of 2012 Marcus conceived of and produced the “Tribute to Miles” tour, a 9-city tour of Europe with fellow Davis alumni Herbie Hancock and Wayne Shorter, in which they presented their unique vision of every era of Miles’ music.
Now, duly fortified and deeply inspired, Marcus Miller returns to composing and exploring new music of his own on Renaissance with a sharper focus than ever before, a new band of curious and like-minded young musicians, and a mission to travel the world – country by country, city by city, venue by venue – to take the message of this musical movement straight to the hearts, souls and minds of the people.